Jane Watts

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"This is the feature of the disc I like most: all the works are played with a deep-seated conviction and comprehension of the stylistic nature of the music. One cannot ask for more than that." (Chartres Cathedral)
- Hi-Fi News and Record Review (UK)

"It is very rare that such infallible technique is used to serve music with such modesty." (Orléans Cathedral)
- Diapason (France)

"From the first few bars of Bonnet's Etude de Concert, you can tell why Jane Watts' performances have gathered such superlatives." (Ulster Hall)
- Gramophone (UK)

"(W T Best) .. probably the world's greatest concert organist of his day, he wowed his audiences with his phenomenal facility and musical flair. Miss Watts is sure to do just the same to today's listener." (Sydney Town Hall)
- Church Music Quarterly (UK)

"Remarkable musicality and scorching vitality easily co-exist in detailed, propulsive, sensitive and buoyant performances." (Westminster Abbey)
- Fanfare (USA)

"Miss Watts deployed her very great talent in her recital programme designed to show off this instrument."
- Orléans, La République de Sud (France) [Orléans Cathedral]

"Jane Watts was magnificently splendid in this, the only organ recital of the Festival."
- Lorch, Wiesbadener Kurier (Germany) [Rheingau Music Festival]

"{Widor's 5th Symphony} has a winsome, almost jolly, set of variations to begin, and Watts played them with great fluency - the variation in which the tune whirrs like a wasp was particularly effective, and she brought the final variation to an irresistibly exciting conclusion. The Toccata was both fiery and completely secure. Above all Watts reproduced the colours Widor wanted as faithfully as you could expect."
- The Independent (UK) [St John's Smith Square, London: complete Widor symphony cycle]

"Jane Watts' performance of Poulenc's Concerto for Organ was a marvellous kaleidoscope of light and shade, tumult and tranquility."
- Croydon Advertiser (UK) [Fairfield Hall, with the London Mozart Players conducted by Matthias Bamert]

"In Jane Watts' hands, the perfumed pomp of Bach's Fantasia in G provided an exhilarating interlude."
- Washington Post (USA) [Washington National Cathedral, with The Bach Choir]